Ardmore

Ardmore Ceramics

Ardmore Ceramic Art was established by Fee Halsted on Ardmore Farm in the foothills of the Drakensberg Mountains of KwaZulu-Natal, where she lived after obtaining her BA (Fine Arts) Honours degree and lecturing at Natal Technikon. Here she met Bonnie Ntshalintshali, daughter of their housekeeper, whose polio meant that she was unable to work in the fields. Fee and Bonnie quickly developed a synergy and under Fee’s mentorship, Bonnie’s natural skills as an artist blossomed. Five years later, in 1990, Fee and Bonnie were jointly awarded the prestigious Standard Bank Young Artist Award, the first such artistic partnership to be recognised. With this success came the demands of creating ceramics for their exhibition, so Fee offered other local women the opportunity to train at Ardmore, producing pieces to generate income for the fledgling studio.

Fee, through necessity, developed the exuberant exotic style that has made Ardmore ceramics famous. “I made tiles and if one cracked, I’d stick a rabbit or bird on the top to hide it,” she recalls. Their work broke from the ceramic conventions of the time: fired terracotta clay was painted with plaka paints, boot polish and oven blackeners. Glues and putty were also used. Later American Amaco paints and transparent glazes brought vibrant colour and fine painting style to the ceramics.

In 1996, Fee and her family moved to Springvale Farm in Rosetta in the KZN Midlands, allowing the artists at the Berg Studio in the Champagne Valley to explore their independence. At Springvale she established a smaller studio and gallery, and in 2003, the Bonnie Ntshalintshali Museum was created to honour Fee’s co-artist and friend after her tragic death from HIV/AIDS in 1999.

Monkey SculptureA few years later, Fee and her family moved to the Caversham Valley, relocating the studio and museum and building a spacious gallery and offices. This created a unique home for Ardmore and in 2009 she amalgamated
the Berg and Rosetta studios here.

Ardmore’s 25th anniversary in 2010 saw the launch of Ardmore Design Collection, which translated Ardmore’s distinctive imagery and styling into functional, superb quality ceramic and non-ceramic products including dinnerware, tapestries, furniture, fabrics for soft furnishings, and more. This new venture was made possible through a generous grant in late 2009 by the Business Trust’s Shared Growth Challenge Fund.

The artists from the Ardmore studio are given training, direction, materials, a studio and a guaranteed market for their work, supported by a skilled marketing and administrative team. Over the years, Ardmore’s artists have won numerous awards and exhibited widely in South Africa and around the world. Ardmore artworks feature in leading galleries and collections, including the Museum of Art & Design in New York, the Museum of Cultures in Basel, Switzerland, and the Tatham Art Gallery in Pietermaritzburg, South Africa. The acclaimed auction house Christie’s has acknowledged Ardmore artworks as “modern day collectibles”.

Find Ardmore products in the Inspirited Living Home Collection

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New Branding and Website Launch for Inspirited Living

Inspirited Living

August 20, 2013: Providence, RI – Inspirited Living is the luxury lifestyle brand that seeks to hearten, inspire and encourage individuals toward personal fulfillment and community. Inspirited Living founder Lynne Bryan Phipps is an accomplished equestrienne, yachtswoman, interior architect and ordained minister. The brand launch includes an interactive website that connects to a larger social media platform and offers a world-class shopping experience and vehicle for rejuvenation.

Lynne chose Boston-based Laidlaw Group for this project because of their experience with international luxury brands, equestrian products and their knowledge of the health and wellness market. Lynne shares, “I do what I do because it matters to me that I find meaning in my work. I am all about supporting, encouraging, and uplifting the human experience… Mind, Body and Spirit and Laidlaw Group shared my vision.” The word inspirited, which means “to instill courage or life into,” accurately describes Lynne’s accomplishments. Laidlaw Group created a brand that delivers content in an inspiring and aesthetically appealing way.

From the moment the user enters the website, the immaculate white backdrop accentuates the vivid, screen-spanning photos and elegant typeface. Clear-cut dropdown menus share Lynne’s various forms of inspiration, from people and businesses to horses, stories and art. Features like the Daily Horoscope and daily inspirational quotes foster a rapidly growing community of inspirited followers. The website houses a blog and connects users to social media platforms including Twitter, Facebook and Pinterest.

Lynne continues to search the world for the items in her Inspirited Collections. Users can choose from the Pegasos Collection of handmade horse hair bracelets and Metlar Swarovski crystal belts to the South African Ardmore Qalakabusha Sofa and fractional ownership in McMillen vintage yachts.

One of the most personalized features of the website is Foot Candles, encouraging notes, primarily written by Lynne, that inspire her followers to “Have an Inspirited Day.” These notes, along with the blog, strive to create a sense of community and support others in sharing their work and collections.

The Inspirited Living website can be viewed at www.inspiritedliving.com. Find Inspirited Living on Twitter at https://twitter.com/InspiritedLife and on Facebook at https://www.facebook.com/InspiritedLiving

For more information about this news release, click here.

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Monkeys & Magnolias by Ardmore

Monkeys & Magnolias

17th to the 24th of May 2013, Patrick Mavros, London

The Patrick Mavros shop in the Fulham Road is proud to be hosting Ardmore Ceramic Art for the second year running from the 17th to the 24th of May for its Monkeys & Magnolias exhibition. The silversmiths from Zimbabwe and the ceramics studio from South Africa both pay rich tribute to the flora and fauna of the African countries from which they sprung and both ateliers were founded by artistic families – those of Patrick Mavros and his sister-in-law Fée Halsted of Ardmore.

During the summer of the 100th Chelsea Flower Show one will be transported to the tropics, bushveld and lush highlands of Southern Africa by the wondrous works of Ardmore Ceramic Art. Ardmore’s fifty Zulu, Sotho and Zimbabwean artists will magically unleash from their clay troops of baboons and monkeys who we hope will run amok and bring some witty nonsense to the dinner tables of London. Over the years the Ardmore artists have made monkeys a metaphor to portray the foibles of human error and like their real-life counterparts these ceramic monkeys make one smile at their child-like frivolity.

Whether it is the delicate floral painting of Wiseman Sithole, Siyabonga Mabaso, Virginia Xaba and Punch Shabalala, or the life-like sculpting of Thabo Mbhele and Bennet Zondo the art of Ardmore will bring back fond memories of the heady scents and shrill cries and calls of the African wild to the metropolis this summer.

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The Compass School: An Opportunity to become Lifelong Learners

Lynne Bryan Phipps

When Lynne Bryan Phipps sees a problem, she creates her own solution. And when it came to her children’s education, she had THE solution. “I saw a huge need, not only for additional schools, but for a different kind of education to be available. And that education included a core, values based education.” She took her kids out of a great school, moved to Kingston, Rhode Island, and founded the Compass School, a K-8 school dedicated to graduating problem solvers, critical thinkers and lifelong learners.  “I wanted to create a place where students could work to the best of their abilities; where they could grow. This meant constantly promoting the child’s strengths.” Lynne’s vision meant providing an environment where students embrace the learning process. 13 years later, the Compass School is the top-ranked middle school in Rhode Island, the second-ranked elementary school in the state and has a waiting list of over 250 students.

Lynne created a learning opportunity that emphasized a collaborative, hands-on educational approach with the guiding framework of social responsibility and environmental sustainability. “Kids learn the most when they have fun! If they think of school as work then they build a natural resentment toward it. If they enjoy school they will not only build a desire to become lifelong learners, they will better understand themselves and their place in the world-both their commitment to others around them and their responsibility to their communities and the environment.”

Lynne knew establishing a school was no easy task, but she rose up to the challenge. Lynne spent several months engaged in conceptual work, shaping the school’s vision and mission statement while educating herself on the necessary steps to make her dream school a reality. “I found out there were many other parents that shared my vision and were eager to get on board. I did my research, worked with the head of the Childhood Development Center at the University of Rhode Island, and got the first- level approval from the state to found a charter school. For the second round of approval we developed a founding board.” Lynne’s charisma for the project garnered support from those around her. She conducted a nation-wide teacher search and established a council composed of a governing body of enthusiastic directors, teachers and parents. Allen Zipke, the director of Compass School since 2002, shared Lynne’s vision: “Lynne has a unique ability to rejuvenate. She is a really enthusiastic person and she believes wholeheartedly in the school’s mission.”

With a strong support backing it, Compass School opened up in 2002 offering a wildly attractive private school education in a public school setting. With a teacher-student ratio of 1:10-1:15 (depending on age groups) the students each receive significant attention and engage in material differently at each stage of the learning cycle. Lynne says, “Kids learn in cycles. They are interested in particular subjects for approximately six months before turning to a new area of interest. Teachers foster an environment where kids work in their preferred areas and grow into themselves.” In order to avoid the containment of grades, students are differentiated into groups Explorers (grades K &1), Adventurers (grade 2), Discoverers (grades 3 &4), Investigators (Grades 5 &6), and Navigators (grades 7 &8) allowing each student to spend two years with one teacher and maximize individual learning potential.

Every aspect of Compass is tailored to maximize the student’s potential. “The highly qualified teachers construct student projects around areas of interest and they intrinsically learn Math, English, and other subjects in the context of their projects,” shares Lynne.

Compass School is now one of the most sought after educations in Rhode Island. Lynne still plays an advisory role at the school, MCing every graduation and planning council retreats to ensure the school is still in line with its original mission and purpose. Lynne reflects, “I love knowing that the students at compass are doing more than learning. They are living their education. And that is what it’s all about.”

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Double Takes at the Jamestown Arts Center

 

doubletakes_7_15Internationally acclaimed dancers take the stage for two nights at the Jamestown Arts Center

The Jamestown Arts Center (JAC) presents DOUBLE TAKES, an interactive dance and video performance,for two nights this summer, Friday & Saturday, August 30 & 31 at 7:00pm. The performance will feature independent dancer, choreographer, and teacher Lance Gries, as well as extraordinary New York dancers, including Jodi Melnick (Melnick has danced with the Twyla Tharp Company, Mikhail Baryshnikov and is one of New York dance’s favorite free-lance performers.) Jeanine Durning (Durning is a truly independent dance and choreographer artist, hugely respected for her fierce physicality and artistic vision.) and K.J. Holmes (Holmes is one of the world’s leading performers and teachers of contact improvisation. Time Out calls her a “legendary improviser.”), who will collaborate in an improvisational dance as they respond to moving images. After the performances there will be a Q&A.

From 1985-1992, Gries was a member of the Trisha Brown Dance Company. His work with that company has been honored with a New York Dance and Performance “Bessie” Award and a Princess Grace Foundation Award. Lance Gries performed “Etudes for an Astronaut” as the inaugural dance performance at the Jamestown Arts Center in the summer of 2011. Tickets are $15 general public/$12 JAC Members and $25/$20 for both performances. Sponsor a dancer for $250. If you sponsor a dancer by August 15 you will be invited to a casual dinner with the dancers on Saturday, August 31 at a beautiful home in Jamestown. All sponsors will receive a one-year family membership to the JAC.

Tickets are available for purchase online at www.jamestownartcenter.org and at the door: These shows will sell out – get your tickets early!

As part of Lance’s residency and upcoming performances of “Double Takes,” he will teach two master classes. Easy Moving Contemporary Dance (Ages 13+ and Adults) will take place on Tuesday, Aug. 20 from 6:30pm – 8:00pm and Movement for Young Dancer (Ages 6 – 12) will take place on Thursday, Aug. 29 from 9:00am – 10:15am. Please see JAC’s website for more information regarding these classes. Adult contact improvisation class with K.J. Holmes will be taught at Island Moving Company on Thursday, Aug. 29 time TBD.

Lance Gries is an independent dancer, choreographer and teacher based in New York. Since 1990, he has created and presented solo and group choreography in various venues in New York City such as The Kitchen, Danspace, Judson Church, La MaMa Experimental Theater and The State Theater at Lincoln Center, as well as cities throughout Europe, Australia and South America. His most recent solo evening, “Etudes for an Astronaut” was nominated for a 2011 New York and Performance “Bessie” Award.

Lance is a renowned teacher, having taught workshops and master classes throughout the world. He recently premiered “The FIFTY Project” (recipient of a Princess Grace Special Project Grant) in celebration of his fiftieth birthday this year, and invited fifty dancers from around the world to meet him in a fifty-minute open dance. A video installation of these meetings was presented at La MaMa Experimental Theater in March 2013: “Double Takes” is a continuation of this projects that combines interactive dancing with the video. His next choreographic project will be live performance entitled: “Immanent Field” and will be presented by Danspace in New York City, March 2014.

 

Jamestown Arts Center

In the winter of 2009 a boat repair shop was purchased with support from local families and public and private foundations. With extensive renovations, donations of funding, time and sweat equity, the Jamestown Arts Center opened for classes and events in July of 2011. Classes, workshops, and camps are offered in painting, drawing, ceramics, printmaking, photography, design, needlepoint, leather crafting and creative movement for all age levels. Events include art openings and presentations, spoken word, dance, music, film and theater.

The mission of the Jamestown Arts Center is to engage, enrich and inspire our community through extraordinary arts experiences.

Visit The Jamestown Arts Center

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